Sing out, Louise! (The Performer’s Instinct)

Posted by on Feb 22, 2013 | 0 comments

Sing out, Louise! (The Performer’s Instinct)

I can teach you everything you need to be a better singer: how to sing healthier with solid technique, make more beautiful, interesting sounds, sing higher, lower, softer, louder, slower and faster. I can help you have excellent diction, teach you how to stand, emote, and act while singing, even how to dress for an audition. But what I cannot teach, what is frankly unteachable, is the INSTINCT for singing and performing. In my experience you either have it, or you don’t. Let me elucidate:

I am very fortunate right now to be teaching a wonderful young lady who is preparing audition recordings for getting into college music schools. She is a marvelous student, everything that a teacher could ask for: smart, motivated, musical, and possessing a lovely voice of enormous potential with consistent glimmers of the great beauty and depth that are in her future. I knew she had an instinct for the act of singing in the way she took my direction, consistently improving both on the spot and between lessons. But what I did not know about her until this week was whether or not she had a real instinct for performing. When the spotlight was on, how would she respond? Just because you can sing, does not always mean you can perform. We have been so focused on technical issues and getting all three songs learned and polished under a looming deadline that we didn’t have a lot of time to devote to performance issues.  So the first day of actually recording came…* the pressure was on, the deadline had come, it was time to deliver… And I am so thrilled to report that it was the very best singing she had ever done in the short time we have been working together. Even in the very first take, she exceeded all my expectations. Her instinct for performing, for making music, for bringing a song to life allowed all the elements we have been working on so painstakingly to come together into a harmonious whole that was infinitely better than the sum of its parts.

And to me, that’s what it’s all about. Yes, striving for continual technical mastery is a worthy and life-long goal, but being able to make music, to entertain and move your audience, is so much more important than everything being “perfect”, whatever that means. As Cornelius used to say, “There is no such thing as perfection until you are dead. And then you are perfectly dead.”

*I must say that recording can be 100 times more stressful than actually performing live; something about knowing you are being recorded “for posterity”, so to speak, and of course the dread of knowing at some point you’ll actually have to <gasp> listen to yourself! But that is a post for another time.

Leave a Reply

Your email address will not be published. Required fields are marked *

This site uses Akismet to reduce spam. Learn how your comment data is processed.